Wang Taocheng
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Texts
- Sister
- “Practice of Portraits” ( a series of 5 works )
- “Practice of Portraits,” Op.55,Acrylic color, mineral color, tea, pencil, A4 paper, on rice paper
- A Person Who Has Never Seen the Ocean
- A Romantic Person
- About Wang Taocheng’s Untitled ( Plank Bar and the Abandoned Garden of Commerzbank )
- Between Face and Lips, ink, mineral pigment, pencil, acrylic, 400 x 33cm, 2011
- Between Face and Lips
- Frankfurt Fireworks in 5 Parts,ink, watercolor, mineral pigment, tea water, gold powder, xuan paper, 477 x 33 cm, 2012
- Sister
- Sister，chinese ink, pencil，180 × 33 cm, 2009
- Still Lifes: Wild Ducks and Swans Arrive in Frankfurt,ink, watercolor, mineral pigment, tea water, gold powder, xuan paper, 356 x 33 cm, 2012
- Untitled (Plank Bar and the Abandoned Garden of Commerzbank)， pencil, ink, water color on xuan paper， 390 x 33 cm, 2011
- What is Revealed by the Tide No.1,ink, watercolor, mineral pigment, tea water, gold powder, xuan paper, 520 x 33 cm, 2012
- What is Revealed by the Tide No.2,ink, watercolor, mineral pigment, tea water, gold powder, xuan paper, 520 x 33 cm, 2012
Exhibitions
- I'll Be Your Mirror
August 10th, 2013 - September 11th, 2013 - What is Revealed by the Tide: Wang Taocheng Solo Show October 13th, 2012 - November 20th, 2012
- Cold Comfort
February 4th, 2012 - March 18th, 2012 - Crossing Worlds : Wang Taocheng Works on PaperJanuary 11th, 2012 - January 15th, 2012
- Learning from the Literati 2September 6th, 2011 - October 17th, 2011
A Person Who Has Never Seen the Ocean
ink, mineral pigment, pencil, acrylic
360 x 33cm, 2010
This scroll is merely about me, my self-pity (and perhaps self love). I have always longed for a Western elite lifestyle, especially that typical of the higher social echelons after World War I. The pretense of struggle in such a courteous society makes people think this kind of place is really fantastic. On the other hand, I also have a passion for elegant ancient China, and the kind of transcendence which is associated with it.
But in reality, during my stay in Shanghai, I found my life terrible and depressing. Later, in Germany, I found it just the same. Suddenly, I realized that the thing which I couldn’t get and was desperately searching for only existed in my mind. I have a dream of an empty room, as empty as Japanese rooms, but without the hypocrisy of Japanese rooms. Everything is put behind a sliding door. Any artwork, no matter how beautiful or exceptional, will occupy some space and this kind of power (the power of the artwork taking up space) makes me feel uncomfortable. As an artist I am supposed to spend my whole life doing something which will constantly occupy the space of the others. After seeing the very concise works of American artist called Richard Tuttle, I started to emulate them, collaging them in this scroll painting. I think it’s great that there is no connection between the topic “A Person Who Has Never Seen the Ocean” and the artwork itself. The artwork itself should not have any relationship with the title. The reverse is the same.
