唧唧叫, 第二版本, 约翰在笼子里面 鸟, 鸟笼, 微型控制器 , 电子元件, 塑料的电子玩具鸟, 2010
“Chirps, Version II (John in the Cage)” is an installation where a set of plastic birds react to the motion and sound of a real mynah bird named John Cage. Through the implementation of a circuit made of electronic components and a set of readymade plastic toys, the piece converts the sounds and motion produced by the real bird into the control of the motion and the playback rate of bird toys. The mechanical bird is the perfect object to create an artificial output based on the natural conditions of the environment. The bird toy is a cheap attempt to copy real birds by mechanical means, ie., every bird is built with an audio sample and movements that are meant to resemble real birds. The sound and motion of the mynah bird will be used as the value that calibrates the amount of voltage sent to control the movement of the bird toys and the playback of the samples. The orchestra is divided into several groups and each group has its own interpretation of the given data. On the other hand, the orchestra’s maestro (John Cage), with its amazing imitative abilities, responds to the sounds and motion of the plastic birds. In this piece the electronic songbirds inherited copying ability is juxtaposed with the natural ability of the mynah bird. By addressing the fundamental roles of conducting and being conducted, the work results in an orchestra where both the adaptive ability of the natural-born and the computational singers create a feedback loop, of true biotech nature.“唧唧” 叫是一个装置作品, 通过一个电路和一套现成的塑料玩具对现实生活做出一个物理转化。 这个作品将特定的身体模式转换为玩具鸟对动作的回放率。 方案包括2个版本。第一个版本探索自然秩序事件和加密, 转换成一个分数,这将创造断断续续类似模式的故障。 这个方案旨在诠释在一个确定的区域对一些视觉元素的公共结构做出释义。基本的想法是对一个视觉输入数据作为一个物理输出进行一个计算解释。图像和声音取去一个, 被察觉的动作构成了输入系统, 这个系统将这些元素转化为动作, 样本就反馈到一个廉价的报警玩具鸟那。 这只鸟玩具是一种廉价的模仿真鸟的机械物。也就是说, 每只鸟建立了一种音频样本和活动, 像真正的鸟一样。这只机械呈现了建立一个人为输出是基于自然环境状况的。 环境和生态之间的关系以及这个人造鸟都是一个基本的, 部分的概念。 创作过程的基础是对于日常生活中即兴创作的调制,通过计算的介入, 将给定数据转换。作品的可行性不是它的乐感, 而是对自然元素的重新阐释造就了系统的丰富性。
