Chai Yiming
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Texts
- Untitled, water color and ink on xuan paper with cloth mount, 70 x 100cm, 2010
- “Journey to the West, Nos 1 and 2,” ink on paper, 161 x 35 cm, 2009
- About Chai Yiming’s “World” series
- Chai Yiming, Abstract, No. 4, Watercolor on xuan paper, 32 x 26.5 cm, 1998
- Landscape No.1, ink and collage on yunlong paper, 90 x 80 cm, 2008 – 2011
- Untitled, ink on silk, 60 x 60 cm 2005-2011
- Untitled, water color and ink on xuan paper with cloth mount, 70 x 100cm, 2010
Exhibitions
- Learning from the Literati 4
September 14th, 2013 - October 29th, 2013 - Abstract Expressions
April 14th, 2012 - May 27th, 2012 - Cold Comfort
February 4th, 2012 - March 18th, 2012 - Forgotten PlacesNovember 26th, 2011 - January 7th, 2012
- Learning from the Literati 2September 6th, 2011 - October 17th, 2011
- Refracted Realities
April 9th, 2011 - May 9th, 2011
Untitled, water color and ink on xuan paper with cloth mount, 70 x 100cm, 2010
Winter in Chinese has the connotation of freezing, in a more genteel language we can say that all business has stopped or slowed. The ancients said, “In fall we harvest; in winter we store.” But the word “dong” for winter is also pregnant with the meaning of gathering. The contradictions of life are all present in these seasons. Is there any difference between painting in the winter and painting paintings of winter? Why don’t we let the painting answer that question.
